Dame Elizabeth Audrey Withers OBE (28 March 1905 – 26 October 2001), known as Audrey Withers, was an English journalist, also active as a member of the Council of Industrial Design. She edited the British magazine Vogue between 1940 and 1960 and was the author of The Palaces of Leningrad (1973) and an autobiography.
While she used her own name professionally, in some other contexts she was known by her married names, Mrs A. H. Stewart from 1933 to 1952 and Mrs Victor Kennett from 1953 until her death.
Withers went as a boarding school to St Leonards School, St Andrews, then to Somerville, her mother's old college, graduating from Oxford in 1927 with a Second in philosophy, politics, and economics.
On the home front, Withers joined the London Fire Brigade as a volunteer and acted as a driver to senior officers. She was disappointed to be given no chance of driving fire engines, despite gaining a heavy goods vehicle licence. She kept the offices of Vogue in Golden Square, Westminster, open, cycling to work.Lindy Woodhead, War Paint: Madame Helena Rubinstein and Miss Elizabeth Arden (2003), p. 259: "Miss Blanche and all her colleagues at the magazine, led by editor Audrey Withers, braved the bombing of their offices and bicycled to work, dodging the debris, but still looking soignée in suits from Creed, Goodbrook, Angèle Delanghe, Lachasse, Ravhis and Bradleys." Meanwhile, Harvey Nichols advertised in Vogue "Especially designed gas protection costumes... in oiled silk and available in dawn apricot, amethyst, eau-de-nil and rose pink". In the summer of 1944, the American photographer Lee Miller persuaded Withers to send her to Normandy to produce an article on nurses there, bringing Vogue into the actual coverage of the war; Withers was astonished by what came back, calling it "the most exciting journalistic experience of my war". She allowed Miller to follow the Allied advance through Europe, and Miller reported the liberation of Paris and even sent a story from Buchenwald.
After the end of the world war, Withers promoted advanced causes, and alongside its traditional coverage of beauty and fashion Vogue developed a highbrow streak, publishing articles by Simone de Beauvoir, Bertrand Russell, Marghanita Laski, Dylan Thomas, Kingsley Amis, and work by features editors Lesley Blanch, and later (1947-1955 Siriol Hugh-Jones. Elizabeth David wrote on food, while the critic Penelope Gilliatt got her start in a Vogue talent contest inaugurated by Withers. Her photographers included Norman Parkinson, Antony Armstrong-Jones, and Irving Penn. She twice employed John Deakin as a staff photographer and twice dismissed him.Robin Muir, A Maverick Eye: the Street Photography of John Deakin (London: Thames & Hudson, 2002; ), pp. 8–9, 204 Her personal style was frugal, preferring sandwiches to expensive restaurants and buses to taxis, and she became a member of the Council of Industrial Design.
Surprisingly, apart from hats, Withers lacked an interest in fashion,Beyfus (2005): "Neither did she have a personal interest in fashion..." so she delegated fashion coverage to others. She later wrote
She resigned as editor of Vogue in 1960, sensing a wind of change.
With Kennett she produced a book, The Palaces of Leningrad (1973), the fruit of nine visits to the city.'The Palaces of Leningrad, by Victor and Audrey Kennett' in The Times, issue 58951 dated 29 November 1973, p. VII They also collaborated on the introduction to In the Russian Style (1975), edited by Jacqueline Kennedy Onassis. In the 1980s Withers became a volunteer in the membership department of David Owen's Social Democratic Party, a centre-left breakaway from the Labour Party. Many years after her husband's death she published an autobiography called Lifespan (1994) and herself died on 26 October 2001 at St Mary's Hospital, London, aged ninety-six.
In 1961 she was the winner of the Bicentenary Medal of the Royal Society of Arts, an award given to "a person who, in a manner other than as an industrial designer, has applied art and design to great effect as instruments of civic innovation". Journal of the Royal Society of Arts, vol. 133 (Published for the Society by George Bell, 1985), p. 254
Career
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